Olimpia is a creative female-type person born into an artistic family in Milano. She drives a Vespa and has large round glasses, but the main thing is that she can, and does, draw like an ambidextrous octopus. One with with prodigious skills, and a doppio espresso.
She has been called a “millennial stronza” by a certain green-eyed monster of a certain age. Okay, she’s replaced me, but I can’t help but like her. She’s so good!
Although she will admit to being influenced by Bruno Munari, Paul Rand and the other usual suspects, she creates super fresh shapely shapes, completely new voluptuous forms, in her own clean palette of brights and darks, flat as a pancake, baby.
After graduating from some kind of design school in Italy, OZ burst upon the New York media scene in a colorful cloud of charm, humor, and easy-to-work-withiness (an essential new adjective when describing young people) in 2008. She then proceeded to take The New York Times, The New Yorker, and the New York subway system by talented storm. OZ’s bright visions pop up -and sometimes out- in all the best places, including Fendi, Apartamento Magazine, The Guggenheim Museum, and the G train. She thinks fast, draws faster, and eats spaghetti like a lady.
Along with her father she has designed a line of objects, called Clodomiro, including plates, shirts and scarves, some of which are just plain naughty, and all of which are delightful.Clodomiro is her father’s real name. Go figure.
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